Titre : | Global studies : mapping contemporary art and culture ; [conferences, ZKM Center for art and media, Karlsruhe, June 2009 and June 2010] |
Titre de série : | GAM, 3 |
Auteurs : | ZKM Center for Art and Media (Karlsruhe) ; Hans Belting ; Jacob Birken ; Andrea Buddensieg ; Peter Weibel |
Type de document : | texte imprimé |
Editeur : | Ostfildern : Hatje Cantz, cop. 2011 |
ISBN/ISSN/EAN : | 978-3-7757-3202-4 |
Format : | 1 vol. (455 p.) / broché, ill. en noir et coul. / 24 cm |
Note générale : | bibliogr. |
Langues: | Anglais |
Index. décimale : | U (Muséologie, publics, politiques culturelles...) |
Catégories : | ART ET SOCIETE ; ETHNOLOGIE ; GLOBALISATION ; MONDIALISATION ; POST-COLONIALISME ; SOCIETE ; SOCIOLOGIE ; SOCIOLOGIE DE L'ART |
Résumé : |
A l'occasion du symposium initiés par le ZKM à Karlsruhe depuis 2009, cet ouvrage propose de réunir les interventions de spécialistes dont les recherches articulent lart et le global.
/ With Global Studies: Mapping Contemporary Art and Culture, the project GAMGlobal Art and the Museum seeks to provide an overview of the institutional and ideological landscape of contemporary art and culture in a global context. In the last decades, the increasing complexity of political, economic, and social relationships worldwide has been shaping the worlds of art and culture, whose institutions often have yet to adapt to new local and global conditions. Museums, biennials, and diverging art markets take on different roles in different places, while they themselves become the subject matter of a steadily diversifying range of academic disciplines. In this book, case studies on individual artists, regional scenes, and their relations to the global show the diversity and conflicts within the art worlds and provide an opportunity for interdisciplinary discussion of these issues by historical, cultural, and social sciences. |
Note de contenu : |
Sommaire :
The editors: Preface Hans Belting, Peter Weibel, and Andrea Buddensieg: Global Studies: Mapping Contemporary Art and Culture; Between Local and Global Markets; Nicola Müllerschön: Versatile Collaborations: Narratives of Alighiero Boettis Afghan Embroideries; Jesmael Mataga and Farai M. Chabata: Heritage in Stone: A Decade of Zimbabwean Stone Sculpture (20002010) ; Chrischona Schmidt: The Development of the Utopia Art Movement through the Lens of Relationships between Artists and the Art World; Irina Vogelsang: The Art Market Bubble of Contemporary Indonesian Art: Part of a Global Development? ; * Contemporaneity and Commitment Carol Yinghua Lu: Back to Contemporary: One Contemporary Ambition, Many Worlds; Adele Tan: Festivalizing Performance: Snapshots of an Alternative Circuit; Anthony Gardner: Whither the Postcolonial?; Julia T.S. Binter: Globalization, Representation, and Postcolonial Critique: Austrian Documentary Film auteurs Take on Globalism; * Contemporary Art as Historical Discourse Isabel Seliger: The Distance of Transcultural Desire: Borderline Interventions in Miao Xiaochuns The Last Judgment in Cyberspace Series ; Birgit Hopfener: A Transcultural Perspective on Performativity in Chinese Moving-image Installations; Ding Ning: Suddenly Modern: Traditional Chinese Aesthetics in Transformation at the Opening Ceremony of the Beijing 2008 Summer Olympic Games; Patrick D. Flores: First Person Plural: Manifestos of the 1970s in Southeast Asia; * Representation between Otherness and the Global Monica Juneja: Global Art History and the Burden of Representation ; Cathrine Bublatzky: The Display of Indian Contemporary Art in Western Museums and the Question of Othering ; Elizabeth Harney: Contemporary Musings ; Agung Hujatnika: Art and Social Indonesian Contemporary Art in the International Arena: Representation and Its Changes; Anne Linden: Photographs from the Intersections Series by David Goldblatt and the Question of Representation after Apartheid; Rania Gaafar: Planarity/Planetarity: Visual Art Practice as Cultural Technique and the Aesthetics of Xenography in the Work of Isaac Julien; * Art under Production Conditions Thomas Fillitz: Worldmaking: The Cosmopolitanization of DakArt, the Art Biennial of Dakar ; Nadine Siegert: (Re)mapping Luanda: Post-war Utopias of the Angolan Contemporary Art Scene ; Noemie Jäger: Becoming Transnational: Insights into the Transformations of the Contemporary Art Scene in Nairobi, Kenya ; Daniela Wolf / Laboratorio 060: Frontera or Talking about Some Limitations of the Translation (Process) of Contemporary Art; |
Exemplaires (1)
Code-barres | Cote | Support | Localisation | Section | Disponibilité |
---|---|---|---|---|---|
19750 | U / SOC | Livre | Centre de documentation | Muséologie, publics, politiques culturelles... | Exclu du prêt |