Titre : | Parkett, 45 - décembre 1995 |
Type de document : | Bulletin : texte imprimé |
Paru le : | 01/12/1995 |
Année de publication : | 1995 |
Langues: | Français |
Catégories : | BARNEY Matthew ; LUCAS Sarah ; SIGNER Roman |
Résumé : |
Barneys work has always involved a carefully balanced combination of exoteric and esoteric elements, aspects that anyone can follow and enjoy mixed in with cryptic signs and personal myths almost impossible to decipher. . . . Part of Barneys skill lies in creating initial scenographies so compelling in visual terms that it is almost impossible for the viewer not to be drawn in by them.
Norman Bryson Sarah Lucas gives as good as she gets. Shes a code-breaker and a ball-buster, a saboteur and a spy. Elegantly in-your-face, Lucas is a smutty, salt-of-the-earth lout whose unequivocal work is raw and loud and startling. It is also efficient and concise. In her art, Lucas doesnt mince words and she doesnt waste them either. She gets quickly to the pointand the point usually has to do with the ways women are viewed in society. Jerry Saltz Action and sculpture, dynamics and stasis in Roman Signers oeuvre do not oppose each other but are rather different states of the same structure. It is a structure that displays the potential of future, energetic change; it is transformation as transient shape; it is detritus as traces of past events. The sculptural form in Signers oeuvre, the static object in space is expandedliquefied, as it wereto include the dimension of time. Konrad Bitterli [parkettart.com] |
Dépouillements
Ajouter le résultat dans votre panierArticle : texte imprimé
Michael Tarantino, Intervieweur
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Chantal Akerman travaille avec les oppositions : fiction-documentaire, est-ouest, personnel-historique, mouvement-immobilisme.
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Code-barres | Cote | Support | Localisation | Section | Disponibilité |
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12237 | P / PAR | Périodique | Réserve | Périodiques | Exclu du prêt |